Mirror of the goddess No.III

Mirror of the goddess No.III

정가 €360,00 EUR
정가 할인가 €360,00 EUR
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'Mirror of the goddess  - plate II’ 
dated 2024.
unique work
size 8.7 x 8.7 x 1.2 inches / 22 x 22 x 3 cms

This is a unique vintage print (studio proof) dated 2014 from the 'Transparency of a dream' series (2013-Ongoing).

A unique print on archival paper, museum u/v varnish to protect the print, mounted to a pure recycled copper plate.
Artist framed in Shou Sugi Ban chemical free & sustainably harvested cedar frame finished in a matt shellac.




Provenance:


exhibition 'Death of the dream' 2017. Dellasposa Gallery, London.

Studio Proof.. Sold direct from the artists studio.


please note.... this is a very small artwork, with every element produced by hand in the studio in a chemical free & carbon neutral way. Slight imperfections are to be expected with such a piece. The photographs shown are of the actual piece and have not been photoshopped.

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  • Underwater butterfly prints

    The butterfly is widely significant in different cultures; symbolising love, regeneration, fortune, freedom, spirituality and death. The connection Greek Mythology draws between butterflies and the souls of those who have passed away is of particular interest to me. My work with Lepidoptera explores this subject in a hyper-real and painterly aesthetic. This is created through using the surface tension of water to interact with the scene, literally painting the subject in light.   

    I breed these remarkable creatures in the studio through multiple generations, a process through which great understanding arrises. This delicate creature undergoes an epic transition, embracing those changes without question. 

    Unrecognisable from one point to the next, these works explore the theme through the introduction of water, drawing on its transient and destructive nature, exposing the fragility of life and that of our own existence. Water acts as both nurturer and destroyer; having the power to cleanse and reinvent or to drown and disappear.

    For me, this series acts as a reflection on life and mortality and how it is fleeting, beautiful and ultimately, tragic.

‘ Hamilton moves beyond the falsity of icons to propose the need for a spiritual renaissance with nature. ’ Critical text for 'All icons are false' by curator Paul Carey-Kent. 

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