Transient in dowsed lights of Magnolia, 60x45cms Vanitas Print

Transient in dowsed lights of Magnolia, 60x45cms Vanitas Print

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Vanlig pris €3.200,00 EUR
Vanlig pris Salgspris €3.200,00 EUR
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Dated 2010.

Available in III edition sizes.
Edition I of 20 prints. 7.5 x 10 in. / 19 x 25 cms. 
Edition II of 10 prints. 23.6x17.7 in. / 60 x 45 cms.
Edition III of 10 prints. 47.2x35.4 in. / 120x90 cms.
+ II Artist Proofs at 78.8x59 in. / 200x150 cms.

Provenance.
02/2018  Vernon 'Animae' ISBN 978-1-62273-384-2.
09/2017 'Contemporary Still Life'  Guildhall Museum, London.
02/2017  Museum of Contemporary Art 'Vanitas', Warsaw.  
04/2016 'Reinvigorating the still life' Bohuslän Museum, Sweden.
06/2015 'Natre Morte' Hå Gamle Prestegard Museum, Norway. 
10/2013  Thames & Hudson 'Natre Morte'  ISBN 10-0500239061.
10/2011 'The House Of The Nobleman', London. 
06/2011 ‘Still Even’ PA&G Gallery, London.

Sold direct from the artists studio with encrypted NFC authentication tag with the signature biometrics recorded in Catalogue Raisonné.

Listed here is an Edition II print sized at 23.6 x 17.7 inches / 60 x 45 cms, numbered & signed by the artist from an Edition of 10 prints. This artwork is sold unmounted & unframed, the print is shipped flat packed in a museum archival clam box wrapped in gesso paper.

Please use the chat button to inquire about the availability of other edition sizes.

Augmented reality 'On The Wall' viewer is for reference only, this darkroom print is sold unframed. AR view is of an Edition II piece (23.6 x 17.7 inches / 60 x 45 cms) in a 'snug' Walnut frame that is not included in the sale. 

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  • Vanitas fine art prints

    Re-visiting the works of the 17th century Dutch Masters using period props, food and real insects including butterflies that I beed myself. Each carefully staged underwater scene is captured in-camera without the use of post production, either traditional or digital. Working with subtle distortions of light & movement from the waters own wave energy to create a unique and painterly effect. The subjects appear as if to be floating in a black space that neither interferes nor disrupts the subject matter, the collaboration within this void offering a serene and dreamlike sensation.

    The quality and purity of the process are at the core of my work, attempting to engage with the most personal of realisations - brutal yet divine. The subtle yet pervading presence of water in these works symbolises its power to to give life as well as destroy it, whilst serving as the functional device through which I achieve the mesmerising painterly effect that distinguishes these artworks.

    View the richly illustrated 'Vanitas' catalogue as a downloadable PDF with Augmented Reality enabled, so you can view artworks on your chosen wall on any device.

‘ Hamilton moves beyond the falsity of icons to propose the need for a spiritual renaissance with nature. ’ Critical text for 'All icons are false' by curator Paul Carey-Kent. 

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